Categories
History

David Butcher’s Album of Sean’s Dublin Homes and Juno and the Paycock

Sean O’Casey was a prolific writer of letters. His correspondence was both deep and wide. Many of his letters were ably tracked down and presented in four volumes by the US poet and academic David Krause. These books are now out of print but can still be found second-hand, and are an extraordinary work of scholarship. This story is not included in there, but is also one that deserves telling.

In 1955 Sean corresponded with an amateur actor called David Butcher. David was born in Dublin in 1920, and although his family returned to England in 1922 he retained a strong connection to the country. He wrote to Sean after reading Sean’s autobiography asking him about specific places in Dublin where Sean had a connection or interest.

His story came to us via his cousin’s son Hugh Levey.

Norman David Butcher (known as David) was the only child of English parents: Charles Edward Butcher and Ethel Butcher (née Levey). His father, Charles, worked for the Audit Department of the Midland and Great Northern Joint Railway Company, based mostly in Norfolk. In 1913 Charles was transferred to the Auditor General’s Departments in Dublin, where [Norman] David was born on 7th January 1920.

Clearly there was much unrest in Ireland during the whole of this period, culminating in the formation of the Irish Free State and civil war. As a Civil Servant of English extraction, Charles Butcher was relocated back to the UK for his and the family’s safety. As David later wrote, “With great sadness the Butcher family left Dublin on 20th July, 1922, my mother in tears all the way over to Holyhead.”

David retained a fond affection for Ireland all of his life, and for Dublin in particular. He often visited Ireland, to meet up with other relations (Todd family) and to enjoy the people, culture and history.

David Butcher trained as an Accountant and spent much of his working life with British manufacturing company Goring-Kerr, retiring as a Director in July 1987. He lived in the Windsor area and was a passionate amateur actor, performing for over 40 years with the Windsor Theatre Guild, where he also acted as Treasurer (& Chairman?). He inherited his love of the theatre from his Aunt May Levey who was also an amateur thespian.

His love of literature and his love of Dublin, appears to have come together in his interest in Sean O’Casey’s work. He had read the writer’s autobiographies, corresponded with him, and photographed locations which were significant in O’Casey’s Dublin life and inspiration. David attended a 1995 performance of Juno and the Paycock in Dublin and was introduced to most of the cast by Tom McKenna. David, himself, performed roles in the play at least 2 or 3 times, including an amateur performance he organised in the late 1950s to raise funds for the rebuilding of Dublin’s Abbey Theatre.

David Butcher Visits Sean O’Casey’s Dublin

The following are pages from David Butcher’s album containing his letter from Sean O’Casey and his photographs and record of a trip to Dublin, in June 1956, to visit Sean’s old homes and to see the Abbey Theatre’s production of Juno and the Paycock. He tracked down the locations Sean described to him of where he had lived in Dublin. David also ventured out to explore more of the city and caused a sensation with his camera it seems.

David saw the Abbey Theatre production of Juno and the Paycock with Harry Brogan as the Captain and Eileen Crowe as Juno. The performance was staged at the Queen’s Theatre as the Abbey itself had been badly damaged by a fire (after a performance of The Plough and the Stars). He met with Tom McKenna, who played Johnny, and saw a show at the Gaiety Theatre with him before returning to England.

Categories
Productions

Abbey Theatre Production of Plough and the Stars in Washington

Sean Holmes’ production of The Plough and the Stars for the Abbey Theatre has been a huge success at the Kennedy Centre in Washington DC. Writing for The Washington Post Nelson Pressley writes,

It’s a grubby milieu that screams poverty and hardship, yet as always the O’Casey characters are joltingly alive. The production’s triumph is the fluid, splendidly balanced ensemble, which for harmony and power rivals any other cast seen in Washington this year.

He goes on to say,

[T]his vigorous performance, which will tour elsewhere in the United States later this year, convincingly reinforces the mettle of O’Casey’s great play.

Categories
Productions

The Plough and the Stars at the Abbey Theatre – Reviews

Both The Guardian and The Stage have reacted very positively to Sean Holmes‘ production of The Plough and the Stars at the Abbey Theatre. Tickets are already hard to come by for the performances at the Abbey and these reviews may well increase demand.

Reviews

[T]his production succeeds in being very moving, while asking insistent questions about social justice that often get lost in the fray.

Helen Meany, The Guardian

In a bold update for Dublin’s Abbey Theatre, director Sean Holmes makes the best work of O’Casey’s Plough in years.

Chris McCormack, The Stage

[D]irector Sean Holmes has, for want of a better expression, absolutely nailed this.

James Dunne, Pure M Magazine

Tour

The production will tour Ireland starting on 26th of April with five nights at the Cork Opera House before moving on to The National Opera House, Wexford  (Wednesday 4 – Saturday 7 May), Lime Tree Theatre, Limerick (Tuesday 10 – Saturday 14 May) and Town Hall Theatre, Galway  (Tuesday 24 – Saturday 28 May).