Categories
Productions

The Shadow of a Gunman: Abbey Theatre and Lyric Theatre Co production

The Abbey Theatre has announced its forthcoming co production of  The Shadow of a Gunman with the Lyric Theatre Belfast.  The production will run from  Friday, 12 June 2015 to  Saturday, 1 August 2015.

The production will be directed by  Wayne Jordan and feature  Mark O’Halloran as  Donal Davoren,  David Ganly as  Seamus Shields and  Amy McAllister as  Minnie Powell.

Tickets are available via the Abbey Theatre. Buy online now.

Categories
Video

East Wall Celebrates Sean O’Casey

This wonderful video by Near TV Productions is a record by the people of the East Wall of the celebrations they arranged to commemorated the 50th year of Sean O’Casey’s death on September the 18th 2014.

It is a fascinating piece that brings to life the time that Sean lived and worked in the area. The people of the Sean O’Casey Community Centre give readings from the autobiographies and act out scenes from the plays and autobiographies; well chosen and well acted.

It is very moving indeed to see. Thanks to Mairéad Ní Choísóig, all the people of the Sean O’Casey Community Centre and the East Wall for remembering Sean’s anniversary and filling it with life.

Categories
History

Modern Ireland in 100 Artworks Includes The Plough and the Stars

Sackville Street (Dublin) after the 1916 Easter Rising
Sackville (now O’Connell) Street, Dublin, after the 1916 Easter Rising
The Irish Times is running a series of articles looking at modern Ireland through artworks in various media. The Plough and the Stars has been included with an article by Fintan O’Toole looking at the context of the play and its impact.

It was not unreasonable to expect that the Abbey would mark the [tenth] anniversary [of the Easter Rising] respectfully. Instead it presented Seán O’Casey’s The Plough and the Stars, which presented the Rising through the experiences of those who suffered most in Easter Week: the Dublin slum dwellers unwillingly thrust on to the frontline. And it suggested that, for them, the great event had brought nothing but deeper misery.

The article looks at how W.B. Yates defended the play and importance of the ability to accept failings and ambiguities as a mark of a mature nation.

The series of articles looks at many different artworks and their impact on Ireland and the wider world.