[W]hen the play takes its uncorrectable skid into tragedy, there’s enough dramatic force to make you feel for the characters, even the ones you laughed at. At nearly 100 years old, O’Casey’s play still packs heat.
The cast is miraculously right, though none of the 10 actors appear to be “performing.” Instead, they create the wholly persuasive illusion of being a group of ordinary people who are simply living their lives.
The general excellence of Irish Rep’s production of The Shadow of a Gunman makes one look forward to seeing the next two shows in its O’Casey Cycle. Let’s mention, finally, that the playbill features several pages of historical context as well as a glossary that theatergoers likely will find to be helpful in appreciating these classic plays.
We are very sad to note the death of Doreen Keogh on 31st December 2017.
She will probably be most widely remembered for her television roles which were many and varied including a notable stint as Coronation Street’s barmaid. She also appeared with distinction in Ballykissangel, The Royle Family and Father Ted.
She has a strong connection with the plays of Sean O’Casey too, appearing in Sam Wanamaker’s UK tour of Purple Dust, Juno and the Paycock at the Aldwych, Silver Tassie at the Almeida and Shivaun O’Casey’s production of The Shadow of a Gunman.
Doreen trained at the Abbey Theatre School before joining the company at The Gate Theatre and later moving to London sparking a long career in television and radio in addition to her stage work.
Best Supporting Actress, Amy McAllister (Minnie Powell)
Best Costume Design, Sarah Bacon
Best Set Design, Sarah Bacon
It is lovely to see this production recognised. The whole field of nominees is very strong pointing to a good year in dramatic arts. It is also good to see the Waking The Feminists movement recognised in a Judges’ special award for Lian Bell.
“Nothing is more absurd in O’Casey’s 1923 play than the notion that art couldbe indifferent to politics. Set just three years earlier, itsnear-vaudevillian succession of intrusions leading towards something more shattering, was first performed during a vicious Civil War. It was a dangerous weapon itself, a tragedy played for laughs.”
It is deeply saddening to learn that Gabrielle Reidy has died. Her career was bookended by roles in plays by Sean O’Casey at the Abbey Theatre. Starting as a child actor in The Shadow of a Gunman in 1971 and with her last role her acclaimed performance as Bessie Burgess in The Plough and the Stars 2012.
In the intervening years she graced many productions on stage, television and film. More information is contained in her obituaries in The Guardian and The Irish Times.